Henri Michaux

"Quand j’écris, c’est pour commencer à inventer. A peine est-ce sorti, voilà que je me mets de tous côtés à lui présenter des barreaux de réalité et, ce nouvel ensemble obtenu, à lui en présenter de nouveaux encore plus réels, et ainsi, de compromis en compromis, j’arrive, eh bien j’arrive à ce que j’écris qui est de l’invention saisie à la gorge et à qui on n’ a pas donné la belle existence qui lui semblait promise.
C’est pourtant dans cette honnêteté tardive mais rigoureuse et par degrés, et puis plus rigoureuse encore mais toujours plus tardive que je trouve une des joies et un des supplices d’écrire."

Henri Michaux – In Passages, 1950 , Paris, Gallimard, 1950-1963.

Henri Michaux par Claude Cahun 1925

© Eugen Wiskovský- Lunar Landscape, 1929

Sanne Sannes

Sanne Sannes was a tripped-out fashion art photographer who lived his short life hard and fast. After almost four decades of obscurity, a unique collection from the oeuvre of the Dutch photographer Sanne Sannes (1937-1967) comes to light again.

Sannes, during his brief photographic career in the sixties, became renown for his taste for the erotic, his fascination with women and seduction. His imagery recalls the atmosphere of the sixties, which acted as an impulse both for his models and for his own talent in photography.

After his untimely death at the age of 30 in a car accident, with only an eight year photographic career of innovating art, Sannes oeuvre is still on par with internationally acclaimed Dutch photographers such as Gerard Fieret and Ed van der Elsken, who in the sixties defined Dutch black-and-white photography.

What’s great to discover with these vintage prints is the amount of fun that Sannes had during the shooting, and even more so afterwards in the darkroom. He experimented with painting and scratching on his negatives. He superimposed multiple negatives to get some wild overlapping imagery. He exposed a print multiple times to get different burned-in effects. And he did a lot of handwork on the photos after he printed them. He was clearly in love with the medium of photography.

Jim Hughes, editor of Camera 35, wrote: “Sannes, a controversial Dutch photographer, did not make easy photographs. Certainly, he did not make pretty photographs. I’m not even sure he made photographs. He made explorations of people, of their outsides and their insides, and sent back picture postcards of their psyches.”

Sannes work is better known through his publications. One of his best known books was called Sex a Gogo. More provocative than most books of nudes in its day, it remains a fantastic period piece even today. It was his second book, published posthumously in 1969.

His first book, Oog om Oog (Eye for Eye) a notable work in the Dutch beeldroman (photonovel) tradition, had been published a few years earlier. Sex a Gogo was much more light hearted, a Pop-Art sexual manual, complete with psychedelic collages and cartoon speech balloons. It was heavily influenced by the many underground magazines that were a feature of the 1960s culture/scene.

Parr & Badger wrote in The Photobook, A History, Vol. I: “The book’s montages were devised by its designer Walter Steevensz, who took over the project when Sannes died, and it is his vision as much as the photographer’s that is evidenced in this typically 1960s comedy of sexual mores. Yet however comical, Sex a Gogo never allows us to forget about its erotic intentions.”

— text: courtesy of HUP Gallery in Amsterdam.

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cover of her book- The face of love

Sanne Sannes book’s -Diary of a Erotomaniac Photography

Sanne Sannes -Untitled, 1962-65 (25)

Sanne Sannes -Untitled, 1962-65

Sanne Sannes- Untitled, 1962-65

Sanne Sannes- Untitled, 1962-65

Sanne Sannes, Untitled, 1962-1965

Sanne Sannes, Untitled, 1962-1965

 

Sanne Sannes- Untitled, 1962-65

Sanne Sannes- Untitled, 1962-65

 

Sanne Sannes- Untitled, 1962-65

Sanne Sannes- Untitled, 1962-65

Sanne Sannes - untitled, 1962 - 1967

Sanne Sannes – untitled, 1962 – 1967

 

Sanne Sannes – Untitled, 1962-65

Sanne Sannes – Untitled, 1962-65

Sanne Sannes -Untitled 1959-1964, foto museum 3

Sanne Sannes -Untitled 1959-1964

Sanne Sannes -Untitled 1959-1964,

Sanne Sannes -Untitled 1959-1964,

 

Sanne Sannes,- Untitled ,1959-1964

Sanne Sannes – excerpt from ‘Oog om Oog’, 1964

Sanne Sannes -Untitled 1959-1964,

Sanne Sannes -Untitled 1959-1964,

 

Sanne Sannes – Nu untitled, 1959-1964

Untitled by Sanne Sannes, 1962-1965 (3)

Sanne Sannes- Untitled , 1959-1964

Sanne Sannes- Untitled ,1959-1964

Sanne Sannes- Untitled , 1959-1964

Sanne Sannes - Untitled, 1959-1964

Sanne Sannes – Untitled, 1959-1964

Sanne Sannes- Untitled ,1959-1964

 

Sanne Sannes- Untitled ,1959-1964

Sanne Sannes- Erotomaniac. (Look On Down From The Bridge), Nd

Sanne Sannes- Untitled, 1962-65

Sanne Sannes-Untitled, 1962-65

Sanne Sannes-Untitled, 1962-65

Sanne Sannes-Untitled, 1962-65

Sanne Sannes - Untitled, 1959-1964

Sanne Sannes – Untitled, 1959-1964

 

Sanne Sannes- Untitled, 1962-65

Sanne Sannes- Untitled, 1959-64

Sanne Sannes- Untitled, 1962-65 (2)

Sanne Sannes- Untitled, 1959-64

 

Sanne Sannes- Untitled, 1962-65

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Sanne Sannes – Untilted 1959-67

Sanne Sannes- Untitled 1959-1969

Sanne Sannes-Untitled, 1959-65

Sanne Sannes- Untitled, 1959-65

**************************************

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Sanne Sannes – photo de son court-métrage expérimental de 19 minutes : Dirty Girl, inachevé, 1966

Sanne Sannes – photo de son court-métrage expérimental de 19 minutes ,Dirty Girl, inachevé, 1966

Sanne Sannes – photo de son court-métrage expérimental de 19 minutes ,Dirty Girl, inachevé, 1966

Sanne Sannes – photo de son court-métrage expérimental de 19 minutes ,Dirty Girl, inachevé, 1966

Film still from The Women of Sanne Sannes, {directed by Frodo Terpstra} , 2008

Sanne Sannes- Untitled,1960′s

from exhibition of Sanne Sannes

********************************************************

Sex a go-go, 1969 Amsterdam, De Bezige Bij, 1969. Cartonnage d’éditeur illustrée d’un photomontage. 190 photomontages en héliogravure. Conception graphique de Walter Steevensz. 192 pages.

Sanne Sannes- from Sex a GoGo, Original 1969

Sanne Sannes- from Sex a GoGo, Original 1969

Sanne Sannes- from Sex a GoGo, Original 1969

Sanne Sannes- from Sex a GoGo, Original 1969

Sanne Sannes- from Sex a GoGo, Original 1969

Sanne Sannes- from Sex a GoGo, Original 1969

Sanne Sannes- from Sex a GoGo, Original 1969

Sanne Sannes- from Sex a GoGo, Original 1969

Covers of the book Oog om oog- (ŒIL POUR ŒIL) – Sanne SANNES (1964) in Bruno Mouron’s 10 photoBooks Photography

Deborah Turbeville

Deborah Turbeville has been one of the world‘s most important and recognized fashion photographers…

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Deborah Turbeville

Deborah Turbeville has been one of the world‘s most important and recognized fashion photographers since the mid–1970‘s when her atmospheric images of small groups of female models in evocative locations first appeared. Her New England upbringing gave her an appreciation of weathered and storied environments, which is still reflected in her work today. She moved to New York City before she was 20 and worked for designer Claire McCardell, a major influence on her career. After working first as an editor at Harper‘s Bazaar and then Mademoiselle, Turbeville became a photographer, originating a highly distinctive style known for its soft–focus use of mise–en–scene and grainy, pointillist printing technique.

Her influential, cinematic work appears regularly in American, British, French, Italian and Russian Vogue, and L‘Uomo Vogue and W magazine, among others, and her work has been exhibited internationally. In 2006, a retrospective Deborah Turbeville: The Narrative Works 1974-1996 was presented at The Wapping Project (London). She has been the recipient of numerous awards, including the Lucie, the ICP Infinity Award, the Alfred Eisenstaedt Award, and the Fashion Group Lifetime Award for Fashion Photography. She has published several books, including her two most recent, Past Imperfect (Steidl, 2009), and Casa No Name (Rizzoli, 2009)

Deborah Turbeville’s book of photographs, Past Imperfect, may be puzzling to those who like their answers on a plate. The pictures breach the fine line between a commercial fashion shoot and a pictorial work of art, for one thing. In the scenarios depicted the female models are cast as players whose role is ambiguous. As well, the photographer has reproduced her original archive in which many of the prints were torn, scratched and superimposed with sticky tape. She and her publisher, Steidl, spent four and a half years on the book, which is an edited compilation of work done between 1974 and 1997.

all the pics come from this two books past imperfect and Casa No name

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Deborah Turbeville -From the exhibition Silent Scream ,Self portrait

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Deborah Turbeville -From the exhibition Silent at Ralph Pucci

Deborah Turbeville’s book of photographs, Past Imperfect,(ed• Steidl, 2009), may be puzzling to those who like their answers on a plate. The pictures breach the fine line between a commercial fashion shoot and a pictorial work of art, for one thing. In the scenarios depicted the female models are cast as players whose role is ambiguous. As well, the photographer has reproduced her original archive in which many of the prints were torn, scratched and superimposed with sticky tape. She and her publisher, Steidl, spent four and a half years on the book, which is an edited compilation of work done between 1974 and 1997.

Deborah Turbeville cover of the book Past Imperfect, 2009

Deborah Turbeville cover of the book Past Imperfect, 2009

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Deborah Turbeville’s book of photographs, Past Imperfect,(ed• Steidl, 2009)-The Krakow story, Poland for W magazine 1998

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Deborah Turbeville’s book of photographs, Past Imperfect,(ed• Steidl, 2009)- The Krakow story, Poland for W magazine 1998

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Deborah Turbeville’s Mannequins 1974 [Clothes by Betsy Johnson
Woolf Form Dummy Factory in New York], from book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville’s book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville’s book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville’s book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville’s book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville-Campagne Comme des Garçons at Vaux le Vicomte, France, for Parco, 1985 from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville-Campagne Comme des Garçons at Vaux le Vicomte, France, for Parco, 1985 from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville-from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville-from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville – Jean Muir and Models , 1973, in Past Imperfect

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Deborah Turbeville-from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville – The Staircase: Commes des Garcons, Passage Vivienne, Paris, 1980, from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

Deborah Turbeville – The Staircase: Commes des Garcons, Passage Vivienne, Paris, 1980, Past Imperfect

 

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Deborah Turbeville-from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville-from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville-from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

Deborah Turbeville- Rosana, Parco, Paris, 1980, from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

 

Deborah Turbeville- Rosana, Parco, Paris, 1980, from the book of photographs, Past Imperfect,(ed• Steidl, 2009)

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Deborah Turbeville- russian dancer from boris eifman ballet company, 1988, from Past Imperfect

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Deborah Turbeville’s “Past Imperfect"

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Deborah Turbeville-Rosima in Comme des Garçons at Vaux le Vicomte, France, for Parco, 1985

 

Deborah Turbeville, The Staircase – Aurelia Weingarten in Commes des Garcons, Passage Vivienne, Paris, 1980

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Deborah Turbeville-Rosima in Comme des Garçons at Vaux le Vicomte, France, for Parco, 1985

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Deborah Turbeville’s “Past Imperfect"-untitled , 1980

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Deborah Turbeville- From série Versaille ,1970, from “Past Imperfect

Deborah Turbeville- from "Unseen Versailles" series , 1980

 

Deborah Turbeville -Versailles, boiseries dans la chambre de Mme Adelaïde, 1980


Deborah Turbeville- Versailles, 15 janvier 1980

 

 

Deborah Turbeville – fromEcole Des Beaux Arts, 1974/ 1980 from “Past Imperfect

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Deborah Turbeville – fromEcole Des Beaux Arts, 1974/ 1980 from “Past Imperfect

Deborah Turbeville – fromEcole Des Beaux Arts,1974/ 1980 from “Past Imperfect

Deborah Turbeville,, planche contact,Ecole Des Beaux Arts,1974/ 1980 from “Past Imperfect

Deborah Turbeville – from serie Ecole Des Beaux Arts, 1974/ 1980 from “Past Imperfect

Deborah Turbeville – from serie Ecole Des Beaux Arts, 1974/ 1980, from “Past Imperfect

Deborah Turbeville – from serie Ecole Des Beaux Arts, 1974/ 1980, from “Past Imperfect

Deborah Turbeville – from serie Ecole Des Beaux Arts, 1974/ 1980, from “Past Imperfect

Serie Wallflower Deborah; Israel, Marvin; Morgan, Kate Turbeville (Hardcover – 1978)

Deborah Turbeville, Wallflower, 1978, from “Past Imperfect

 

Deborah Turbeville, Wallflower, 1978,from “Past Imperfect

 

 

 

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Deborah Turbeville- from ‘Bathhouse Series’ by for Vogue, 1975, in Past Imperfect

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Deborah Turbeville- from ‘Bathhouse Series’ by for Vogue, 1975, in Past Imperfect

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Deborah Turbeville- vogue Us, august 1970, from “Past Imperfect

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Deborah Turbeville for vogue 1995, from “Past Imperfect

Deborah Turbeville – Kasia and Audrey, Cantor Theater, Kraków, Poland
for the Magazine: W 1997,from “Past Imperfect

 

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Deborah Turbeville, L’Heure Entre Chien et Loup:Clothing by Blumarine, VOGUE I,from “Past Imperfect

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from the book Deborah Turbeville: Casa No Name, 2009

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from the book Deborah Turbeville: Casa No Name, 2009

Tina Modotti by her lover Edward Weston

Tina (Assunta Adelaide Luigia) Modotti est née le 17 août 1896 à Udine. La misère pousse sa famille, nombreuse, à émigrer aux États-Unis et à s’installer, en 1913, à San Francisco. L’ambiance familiale est fortement imprégnée d’idéaux socialistes et, dès l’âge de dix-sept ans, Tina travaille dans un atelier de couture. Parallèlement, elle commence une carrière de modèle, puis de comédienne dans les troupes théâtrales du quartier italien. Elle fait très vite la connaissance d’un peintre et poète canadien, Roubaix de l’Abrie Richey, dit Robo, avec qui elle se marie et découvre la vie d’artiste bohème. Sa maison, à Los Angeles, devient un lieu de rencontre d’artistes et d’intellectuels. Remarquable beauté brune au visage angélique, Tina devient l’actrice de films muets à Hollywood, où elle joue, pour un temps, les ingénues "mexicaines", notamment dans The Tiger’s Coat (1920). Elle pose également pour des photographies d’art et rencontre ainsi, en 1920, un photographe déjà très réputé : Edward Weston.

“J’accepte le combat tragique entre la vie qui change continuellement et la forme qui la fixe, immuable”
Lettre de Tina Modotti à E. Weston [Mexique, 14 Novembre 1926]

‘Je ne peux pas , comme vous me l’avez sugéré une fois , « résoudre le problème de la vie en me perdant dans le problème de l’art".  Non seulement je ne peux pas le faire mais je pense même que le problème de la vie fait obstacle à mon problème avec l’art. »

Lettre de Tina Modotti à Edward Weston, [ Mexique, Fin 1925 ]


Edward Weston -Tina Modotti -1921

Edward Weston -Tina Modotti -1921

Edward Weston -Tina Modotti , 1921

Edward Weston -Tina Modotti -1921

Edward Weston – Tina Modtti 1921.

Edward Weston- Tina Modotti, Half-Nude in Kimono, 1924

Edward Weston- Tina Modotti in Kimono, 1924

Edward Weston -Tina Reciting, October 3, 1924

Edward Weston- Tina Modotti, 1925

Edward Weston- Tina Modotti, 1925

Edward Weston – Tina Modotti Reciting, 1925

Edward Weston -Tina Modotti with Downcast Eyes, 1924

Edward Weston- Tina Modotti, 1923.

Edward Weston- Girl in Canton Chair , Tina Modotti, 1921

Edward Weston- Tina Modotti "the Batik Gown", 1921

Edward Weston- Modotti Tina sur l’azotea, 1924

Edward Weston- Modotti Tina sur l’azotea, 1924

Edward Weston- Tina Modotti, 1924

Edward Weston- Tina Modotti, 1924

 

 

 

Charles Gates Sheldon

Charles Gates Sheldon- Dolores Costello , 1920′s

Charles Gates Sheldon- Dolores Costello , 1920′s

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Charles Gates Sheldon- Dolores Costello , 1920′s

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Charles Gates Sheldon- Dolores Costello , 1920′s

Charles Gates Sheldon- Dolores Costello , 1920′s

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Charles Gates Sheldon- Dolores Costello , 1920′s

Charles Gates Sheldon- Study , model Madeline Hurlock, 1920′s

Charles Gates Sheldon – Model Marion Davies, 1920

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Charles Gates Sheldon- Study , model unknown,1920′s

Charles Gates Sheldon- Ziegfeld girl Follies, 1920′s

Charles Gates Sheldon – Femme avec masque et collier ,1924

Charles Gates Sheldon- Donna Karan, 1920′s

Charles Gates Sheldon – Jetta Goudal 1920’s

Charles Gates Sheldon- Mary Nolan , 1920

Charles Sheldon- Mary Nolan , 1920

Charles Sheldon- Mary Nolan , 1920

Charles Gates Sheldon -, 1920’s

Charles Gates Sheldon forLa Vogue lingerie,1919

Charles Gates Sheldon- for La Vogue lingerie ,1919

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Charles Gates Sheldon for Fox Shoes, 1920’s

Charles Gates Sheldon – for Fox Shoes, 1920′s

Charles Gates Sheldon- model Eileen Percy for Fox Shoes, 1920′s

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Charles Gates Sheldon – Model unknown 1920’s

Charles Sheldon- for Fox Shoes

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Charles Gates Sheldon- Stockings advertisement, 1920′s

Charles Gates Sheldon- Stockings advertisement, 1920′s

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Charles Gates Sheldon-for Fox Shoes advertisement, 1920′s

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Charles Gates Sheldon-for Fox Shoes advertisement, 1920′s

Charles Gates Sheldon-for Fox Shoes advertisement, 1920′s

Charles Gates Sheldon- Fox Shoes Advertissement, 1920′s

Charles Gates Sheldon-for Fox Shoes advertisement, 1920′s

Charles Gates Sheldon-for Fox Shoes advertisement, 1920′s

Charles Sheldon- model unknown { flapper},1920’s

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Charles Gates Sheldon- Stockings advertisement, 1920s

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Charles Gates Sheldon- model unknown, 1910’s

Charles Gates Sheldon- model unknown, date ?

 

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Charles Gates Sheldon- model unknown, 1920’s

Charles Gates Sheldon- Dolores Costello , 1920′s

Charles Gates Sheldon-Dolores Costello , 1920′s

 

Charles Gates Sheldon – Original Magazine Cover Art, 1925/1935

 

 

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Charles Gates Sheldon- model unknown, 1920’s

portrait of Charles Gates Sheldon

Bertolt Brecht

"Ne vous laissez pas séduire
Car il n’est pas de retour.Déjà le jour approche
Le vent de la nuit souffle
Mais le matin ne viendra pas.

Ne vous laissez pas conter
que la vie est peu de choses.
Buvez la vie en grands traits
Il sera toujours trop tôt
Quand vous devrez la quitter.

Ne vous laissez pas rouler
Vous n’avez pas trop de temps.
Laissez pourrir les cadavres
La vie l’emporte toujours
Et l’on ne vit qu’une fois.

Ne vous laissez pas traîner
Aux corvées et aux galères.
De quoi donc auriez-vous peur?
Vous mourrez comme les bêtes
Après la mort le néant."

Bertolt Brecht – Sermons domestiques , In Hauspostille, 1927

Bertolt Brecht, 1930′s

Irina Ionesco

Né en 1935 à Paris, Irina Ionesco était fille d’immigrés roumains. Peintre pendant des années, elle découvre un jour la photographie, axant surtout ses modèles sur l’érotisme.
Autodidacte, elle photographie ses amis et leurs filles en utilisant des bougies pour l’éclairage.
En 1974 son exposition à la Nikon Gallery (Paris) a fortement attiré l’intention sur son travail. Dès lors elle fut rapidement publiée dans de nombreux magazines et recueils et exposa dans les galeries du monde entier.
Irina Ionesco est connue pour ses photographie mettant en scène sa fille,Les nus qu’elle a créés avec celle-ci provoquèrent de grandes controverses. Neanmoins, la plus grande partie des oeuvres d’Irina montre des femmes savamment habillées, parées de bijoux, gants et autres atours, accompagnées d’objets symboliques comme des foulards et autres symboles fétichistes, se dévoilant sous des lumières envoûtantes.
Son univers visuel dominé par les femmes – on y trouve très peu d’hommes – est lié à l’absence de sa mère entre quatre et 15 ans, lorsqu’elle se retrouve à Paris.

"C’est la recherche de cette femme qui m’a manqué et qui était ma mère. Son regard m’a manqué", explique-t-elle.
[http://fr.wikipedia.org/wiki/Irina_Ionesco]

Irina Ionesco- Flora , 1970

Irina Ionesco- Koye de Hiromi, 1995, Paris

Irina Ionesco- Koye de Hiromi, 1995, Paris

Irina Ionesco-La madone de New York

Irina Ionesco- Rosamonde, "Porte Dorée 9", nd

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Irina Ionesco- Porte Dorée 12 , 1986

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Irina Ionesco-"Porte Dorée 15",nd

Irina Ionesco-"Porte Dorée 5", nd

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Irina Ionesco- Porte Dorée 22, nd

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Irina Ionesco- Porte Dorée , nd

Irina Ionesco-"Porte Dorée 6, 1970 (Printed in 1998)

Irina Ionesco -Marguerite ,Porte Dorée, nd

Irina Ionesco- Porte Dorée, nd

Irina Ionesco, Porte Dorée 1, Litanie Pour Une Amante Funèbre, 1974

Irina Ionesco- Porte Dorée 2 , 1972

Irina Ionesco- Porte Dorée ,nd

Irina Ionesco- la porte dorée, nd

Irina Ionesco, 1970

Irina Ionesco #3 la porte dorée

Irina Ionesco- Porte Dorée 18 , nd

Irina Ionesco- Porte Dorée 18 , nd

Irina Ionesco, "Porte Dorée 7", 1970 (Printed in 1998)

Irina Ionesco-"Porte Dorée 4", nd

Irina Ionesco-"Porte Dorée 8", (Printed in 1998)

Irina Ionesco-"Porte Dorée 14", nd

Irina Ionesco, "Porte Dorée 20", (Printed in 1998).

Irina Ionesco-"Porte Dorée 13", (Printed in 1998)

Irina Ionesco-"Porte Dorée 10",nd

Irina Ionesco -Le double , 1970

Irina Ionesco -Le double , 1970

Le double by Irina Ionesco, 1970

Irina Ionesco, Fafa, 1968

Irina Ionesco- Griffe , 1976

Irina Ionesco- Griffe , 1976

Irina Ionesco

Irina Ionesco, 1981

Irina IONESCO – Jocelyne, 1974

Irina Ionesco – La Femme à la plume, 1970

Irina Ionesco -Licorne, 1972

http://vraisreves.free.fr/collector/irina_ionesco/index.htm

http://www.tokinowasuremono.com/artist-d02-ionesco/index.html

http://www.ina.fr/fresques/elles-centrepompidou/fiche-media/ArtFem00500/irina-ionesco-nocturnes-porte-doree.html

http://www.dailymotion.com/video/x97njf_irina-ionesco-nocturnes-porte-doree_shortfilms